Celebrating B Movies, Cult Films, and Indie Classics.

The Los Angeles Ripper (2011)

by  |  September 5th, 2011  |  Horror  |  4 Comments

On Friday August 26, 2011 at 1.00 am (technically Saturday) ‘The Los Angeles Ripper’ screened for the first time in public. The Los Angeles Ripper opened to a packed theater, reminding the audience of what a “Midnight Movie” was, and what it could be once again.

The Los Angeles Ripper directed by Craig McIntyre, tells the story of Grahm (Randy Tobin) a quirky Scott Thompson meets the 80’s looking character. Grahm is a serial killer known as The Los Angeles Ripper and the story is told from his perspective, as he hunts for his prey and lives out his fantasies. Tobin’s portrayal of the Rain Man-esque Grahm, who’s obsessed with his trophy victim (while all other’s are just a way of passing the time), is reminiscent of  Nicolas Cage‘s early work. The work we loved in films like Vampire’s Kiss. Tobin and McIntyre effectively walk that very fine line of satire, without ever letting you know they’re in on the joke themselves.

Randy Tobin and Celeste Martinez taking a break while filming 'The Los Angeles Ripper'.

Celeste Martinez holds her own as the fresh off the bus Kristy, who’s new to Los Angeles and looking for friends and taking her singing classes. It’s Kristy, who has become the apple of Grahm’s eye and the object of his obsession. Martinez is able to give her character strength and still maintain that innocence naivety we all lost so long ago.

Another performance worth noting is the scene stealing Brandon Engstrom who deftly lends his talent to the satirical festivities in The Los Angeles Ripper.

The graphic special effects and gore are so intense and over the top, that it has been reported that during a scene were Grahm is scalping a victim and eating her brains, lead actor Randy Tobin actually gagged and had difficulty making his way through the scene.

Spirit of Independent Film, a guy ads the letter's for 'The Los Angeles Ripper' to the marquee @ The New Beverly Cinema.

McIntyre very cleverly sneaks in an “Art-House” film in what on the surface looks like a trashy blood and guts B Movie. Starting out as a cartoonish take on the slasher genre, reminiscent of such cult film’s as ‘Things’, The Los Angeles Ripper takes you on a detour into a nightmarish fable that is perhaps told from the perspective of The Big Bad Wolf. It is the ability of the filmmaker to trust his instinct’s and the actors ability to trust his director, that allow the film to be so effective to the audience.

I asked Randy at the Los Angeles premier where do you draw the line? The answer:

There is no line, we just erased the line completely.

~Randy Tobin (Grahm in The Los Angeles Ripper)

Craig McIntyre represents a new breed of filmmaker that are beginning to rise up. One’s that are tired of the Studio System running the show, and just want to make their film’s their way.

Say what you will about The Los Angeles Ripper, but it’s not a sequel, a prequel, a re-make or a comic book turned into a movie – and these days that says a lot. In other words, it is original. This film actually has a lot going for it, reminiscent of American Psycho– if it were directed by Rob Zombie, or imagine ‘Se7en’ if John Waters had directed that. Obviously it won’t be for everybody and it will be difficult for some to make it all the way through to the end, which is where the real payoff is.

Director Craig McIntyre discussing character and motivation with Randy Tobin during a key scene in 'The Los Angeles Ripper'.

For me it was the over the top violence and gore that desensitized the audience, while effectively setting us up for an emotional impact that you just don’t expect. The audience genuinely loved this movie, and to my surprise and perhaps to the cast and crew as well, went for the ride laughing, clapping and oohhing in all the right places.

I asked director McIntyre what his plans for distribution were, and he slyly answered:

I don’t have any plans yet, just exploring different offers and if any are good enough maybe I’ll do that. Or, maybe I’ll just do my own distribution.

~Craig McIntyre (Director)

An ironic statement, since The Los Angeles Ripper premiered at Quentin Tarantino’s legendary theater The New Beverly Cinema, where just the day before, Indie director Kevin Smith was completing a 2 week run for his film Red State to qualify for the Oscars. Red State was another film where the director turned his back on the old ways, and toured with the film himself in 15 cities, perhaps setting a new precedence of thing’s to come.

Randy Tobin, Celeste Martinez, Craig McIntyre and Brandon Engstrom reunite for the premier of 'The Los Angeles Ripper', pictured outside the New Beverly Cinema.

Regardless, distribution should be an easy task for Team McIntyre.

Filmed with a surprising production value and packed with music from awesome Indie bands YIDHRa, Lost Boy Scout and Full Blast. It’s a fun little film and deserves to be watched. Craig McIntyre is already putting together his next project, that will have a budget. I can only imagine what this band of misfits could do with a real budget? It is a scary thought.

If you missed The Los Angeles Ripper in LA, you will get your next chance in Las Vegas when it screens as an official selection in the Polly Grind Film Festival this October. No news on the official website yet, but we will keep you posted.


Matthew Dowling, a native Philadelphian, now residing in Los Angeles, is an actor, writer and film maker. Matt's training with 2nd City, and numerous appearances in TV shows, movies, theater, infomercials, and most importantly... B movies, has prepared him for making B Movie recommendations.


  1. Keith Link Keith Link

    September 6th, 2011at 10:38 PM(#)

    Great post as always, Matt. Sounds like a great night and it’s very encouraging to see perhaps a new grassroots Indie film movement bubbling to the surface. Like what Grunge music did to the over-polished pop music of the late 80’s – waking people up to new sounds and raw energy – maybe filmmakers like Craig McIntyre and veteran Kevin Smith can show Hollywood execs there’s a whole audience that would like to shell out for theater tickets if there was truly something new and interesting to go see.

  2. Matthew Dowling

    September 6th, 2011at 11:22 PM(#)

    Exactly! I think you make a good point here Keith, there does appear to be a grassroots movement, and with technology being what it is, and artists empowering other artist it’s all VERY accessible now.

    Part of why I love this movie is because of what it represents in the big picture, that paradigm shift that Hollywood has been begging for for so long. The Studio’s aren’t running the show anymore, they sold out when they bought into VOD, well before that but you know what I mean. It’s gonna be these directors that are gonna reclaim Hollywood once again and just strike a deal right to the theater’s directly man!

    Very subversive stuff, it’s all really quite cool. -matt

  3. nekromistress

    September 10th, 2011at 12:41 AM(#)

    Nice write up. I was the girl who was scalped. I didn’t get to make it to the screening because I had to be up early but regret not going but since I don’t know how I looked on the big screen maybe it was better I didn’t go since I haven’t heard how I did. haha Probably bad but I was supposed to be some dumb party girl.

    Was fun working on the movie and great people.

  4. Matthew Dowling

    September 10th, 2011at 3:26 AM(#)


    Of course we know who YOU are, we met you @ Weekend of Horrors with Andrew Prine! You look just fine on the big screen, you have a very natural way on camera. Sorry you missed it, it was a fun night. Don’t miss the Las Vegas screening though, I have a feeling that’s gonna be something real cool.

    Your scalping is one of the better one’s in cinema! Thanx for checking in! -matt

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